A Semi-Not-Horribly-Regular Newsletter #13

A Semi-Not-Horribly-Regular Newsletter #13

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In this issue: October GiveawayPrepping, New Posts, An Indie Author Program Review Selection (a review).


First! October Giveaway

It’s October and I’m trying to make a thing out of this. I’m giving away SIX autographed copies of my books Out of Due Season: The First Transit, Sunshine and Shadow: Exodus, or The Second Transit, Beneath Gehenna, Beans of Anafi, Difficult Mirrors, and Sketches from the Spanish Mustang to one lucky winner! I am also including a custom-made pen (retail value: $84).

All you need to do is go to the giveaway page, enter your email and click the button. Easy!

I will randomly choose a winner from ALL ENTRIES (there are many ways to get multiple entries) and contact you with details on how you’ll get the autographed copies of these books.

6 Books and a Pen October giveaway
Pen made with black ash burl for the October giveaway

Prepping for the Winter Months

With the leaves changing and the temperatures (finally) dropping, I find myself juggling a few things at the moment. Each of these are passion projects–because writing is a passion.

All We Leave Behind: Transits of Three

I’ve received feedback from beta readers on the third Transit novel, All We Leave Behind. So now, it’s nose to grindstone making all the edits proposed and getting the Advance Review Copy ready. Look for that in late October, if you’re interested. I’m always on the lookout for feedback and appreciate the effort it takes.

As a reminder, All We Leave Behind: Transits of Three will be released on December 20, 2022. You can preorder now for only $0.99.

NaNoWriMo ’22

Last year I took my first dive in to the annual NaNoWriMo and ended up writing a full novel in 17 days. That novel, Beans of Anafi, is now available if you’d like to check it out. This year I’m going to work on a nonfiction book. I don’t know if I’ll get it completely done, but the goal of NaNoWriMo is to write 50,000 words in a month. That, I believe, I can do again.

Part of the allure of NaNoWriMo is the support from others doing the same thing. That’s where “Buddies” come in. If you’re participating and would like to hit me up as a “Buddy” for some support (e.g., words of encouragement), you can find me here: https://nanowrimo.org/search?q=bxwretlind.

A New Series

This past June after sending off All We Leave Behind to my beta readers, I started writing a new series. Between vacations, a work trip, and other writing tasks, the progress has been slow. I also switched from Microsoft products to Scrivener for this particular series. I’ll have more to say on my impressions of this novel software next month, but let’s just say it has proved very useful in more ways than one.

I have three novels outlined in this new series and hope to have the first one out in late Spring 2023. I won’t give anything away just yet. I did that once on a novel I was working on and now it’s in the “might eventually get back to it” folder on my hard drive. In other words, I jinxed myself.

Once I’m done writing the first draft of this novel, I’ll move back into the Transit series and start in on the fourth.


New Posts

  • Obscure Greek Gods
    • There are 360+ Greek deities, more if you remember that many of these have multiple names. The “popular” ones we know. What of the others?
  • Beans Have Souls
    • A new adult literary novel, Beans of Anafi, is out now. This is vastly different from anything I’ve done before. It was also my NaNoWriMo ’21 project.
  • On Thunderstorms & Emotions
    • The way nature uses thunderstorms to restore balance to an unstable atmosphere is akin to the way a plot is intended to resolve a conflict.
  • Alien Weather
    • Alien weather is something I think about quite frequently, not only because it plays into my own writing, but because it’s just neat.
  • On Precipitation & Emotions
    • There are many forms of precipitation–from snow to rain to ice crystals and more–and therefore many ways a writer can use it for emotion.

An Indie Author Program Review Selection

Twenty Eight

Short stories are not easy to write. To bring in all the plot elements in such a confined space–usually between 1000 and 8000 words–is like stuffing a small chicken with a full turkey. In other words, it’s not easy. If you think of the plot elements of exposition, conflict, rising action, climax, and denouement, you have to wonder how you can fit it all in a few pages in a way that doesn’t bore you with exposition or denouement or shock you with a shortened bit of rising action that leads to an unfulfilling climax. The beauty of a good short story is that the climax is the end. That, frankly, is what makes a story stick. After all, that denouement is left with your imagination.

Raymond Beaman seems to have the right skills (or is that “write” skills?) to pull off great short stories in the vein of Ray Bradbury, Shirley Jackson, and Frank R. Stockton. Written over the course of a year, the 28 short stories in the aptly named collection Twenty Eight range from horror to psychological thrillers to tragedies that are not expected. As a fan of psychological stories, I was immediately drawn in by Beaman.

Within the pages of Twenty Eight there are serial killer stories, ghost stories, stories about stalkers, and twists galore. All of them are written in the first person, which can be difficult to pull off but is done so very well here. At times I felt like I was reading a treatment for a Twilight Zone script and at other times I was reminded that originality still exists within the world of authors. Beaman also snuck in a story written by his wife with a very touching introduction. A treat, for sure.

It is hard to point out which of the 28 short stories was my favorite, but if I had to choose one within Beaman’s collection it was “There’s No Place Like Home.” While the twist was not as strong as in some of the other stories, the initial fear of the character was palpable, like a nagging chest pain. As the story progressed, that fear/anxiety shifted onto another character in a way that was seamless.

Like I said, writing short stories is difficult. Pick up Raymond Beaman’s Twenty Eight and take a look at how great short stories are written. You won’t be disappointed.

Available at Amazon: https://www.amazon.com/gp/product/B09Q1GHSXN/


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That does it for this issue of the newsletter. I’ll see you back here next time!

— Ben


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